when the doctor came,the room stilled, a sterile still life colder than the air used to keep the machinery bleating and pushing blood through my arteries, the frigidity
keeping engines cool from shorts that would gum wires and tubes and send electric shocks down lifelines to the system, my system, and when he shook his head, a brief motion, the air grew colder yet and heaved my heart into a pulsing mass of valves and vessels, one last gasp before it puttered into a puddle of tissue, of hope gone south
***
Inspired by the 52-250 Flash A Year theme: cold front. A prose poem as we ease into the home stretch of NaPoWriMo. Peace...
Showing posts with label #aprpad. Show all posts
Showing posts with label #aprpad. Show all posts
Thursday, April 21, 2011
cold
Labels:
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NaPoWriMo,
transplant
Saturday, May 01, 2010

I penned my final poem of April last night, and felt a combination of relief and sadness. Relief that my days could now turn back to PURE and concentrating on finishing that novel, and sadness because I'll miss the liberation of knowing my prescribed daily writing task (yes, it is liberating to have someone tell me what to do every now and then).
BUT... poetry's not going away just because April showers bring May flowers. Nope. you see, a group of us played poetry daisy chain, yielding eight collaborative poems. I'll be introducing you to the poems -- and the authors who originated each one -- in the coming weeks. These writers -- Michael Solender, Laurita Miller, Mark Kerstetter, Paige von Lieber, Tony Noland, Doug Mathewson, and Robin Stratton -- pen poetry and prose, and when you read their stories and poems, you can see the influence of each genre on the other. Paige wrote a poem to honor the Poetry Chain Gang.
Out this week ===> 6S:V3, featuring some of the finest six sentence writers and edited by the excellent Lydia Davis.
EXHALE
You say
follow the breath
so I do
and listen to your mantra
mild, measured
on the inhale
guts, liver, lungs
float, oxygenated
cushions, and relax me
into the moment
the now
the be
but as my stomach
hollows on the exhale
air clutches somewhere
higher, afraid on the
outtake
to be.
Prompt: letting go
Peace, Linda
Labels:
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lydia davis,
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rob mcevily
Thursday, April 29, 2010
The High Before the Crash
Friday Two-fer. Poetry prompt: and suddenly. Interesting prompt. My birthday today made me consider how fast life flies past. The prose piece, excerpted from Brighter than Bright, reflects the heady feeling of youthful limerance.
and suddenly the bed shrank
along with your cleats,
your jeans,the Hard
Rock café tee
bought in Boston;
everything smaller
but the reach of your arm,
the length of your stride,
the burgeoning pile of
diaper bags, board books,
Pokemon cards, and other
childhood detritus, never
again retrievable.
***
The High Before the Crash
The pathos-ridden notes of Mahler flow through earphones, reverberating at the cellular level. Words zip from my brain to my fingertips and onto the computer screen. Already, two poems knocked off. I crank in my journal in the darkened living room, recounting the past few glorious days at the beach with Phoebe. All we did was eat, sleep, make love; my skin still titillates.
Seeking inspiration, I pull up my sex_p folder, my catalogued memories of all my romances. The last dozen poems recall when I lost my virginity to Gloria. So many years ago. I close my eyes, remember the tall Tuscan grass, the sky anointing us, and for the first time I don’t feel sad remembering. Gloria’s face morphs into Phoebe’s, black hair melting in the sun turning to gold, and new words rush out… Amidst silvered sheaves we lie, hidden from all but God’s eyes and bees… My groin starts to ache.
A ding. Email. Who else is up at this infernal hour? Ah… Kevin, former Andover buddy, an ass - but one with disposable income interested in buying my car.
Ran that little black Maserati of yours down Route 1 and popped 70 in six. Superb. Can’t believe you want to sell her. Thanks - check’s in the mail. K
BTW, man, your sister’s HOT – when did she grow up?
My fingers hammer back.
Excellent! Enjoy – take good care of my baby. B
And keep your diseased dick away from Izzy – you can’t afford for me to chop off the last two inches.
Yes! I swivel in the chair, pumping my arms in victory. Kev’s always coveted my 420S, ever since a bunch of us dragged her down 128 one crazy August night, hammered out of our gourds after winning lacrosse regionals. We’d crashed some RISD party, I still don’t remember how we ended up in Providence. Kev might as well enjoy the car, she’s languished lonely and neglected in that hole of a garage back home. Yes! Last Fall semester’s paid off, only Spring and Summer tuition left to figure out, then financial aid kicks in. Finally.
I return to the computer, too excited to process words. Der Abschied concludes. Enough lieder already, too heavy. I shuffle over to La Sonnambula, the elegiac notes waft through my ears. My head turns meditative, the page fills… Time slows, time stops, clouds drape the azure canvas. I’m deep into the poem when I sense someone watching me.
“Sweetie.” Phoebe stands in the bedroom door, the nightstand lamp illuminating her from behind. In her long, white cotton gown, right fist rubbing her eyes, she reminds me of a little girl at the foot of her parents’ bed after a bad dream. “It’s almost two. When are you coming to bed?”
I pull out my ear buds. “Soon, baby, soon.”
She patters over in bare feet. I swivel in my chair, blocking the screen.
“What are you writing?”
“Nothing,” I say. “Just poems. Journaling.”
“What about?” She balances on her toes, trying to peek over my shoulder.
“Uh, the past week. Our trip to the Cape. Sex. Love. God. Death.” I bounce in my chair, impatient, wishing she’d go back to bed. “My usual existential stuff.”
“Are you okay?” She peers down at me, her eyes sleepy and suspicious.
“Okay?” I jerk back against my seat. “Of course I’m okay. I’m great.”
“Why aren’t you sleeping?”
“Ideas in my head need to get out.” I fidget, pass the MP3 from my right hand to my left, then tuck it in my lap, between my thighs. “Phebes, baby, go back to bed.”
“Only if you do.” She rests her hands on her hips.
“Promise,” I say. “Just five more minutes.”
She sighs, then slowly shuffles to bed. The lamp clicks off. Back to the poem. The words look unfamiliar, aseptic, and for a second I panic – the flow’s abandoned me – but I reinsert the earphones, the music fills me again… Ah, yes… the wind sighs low…
The opera ends. Pleased, I gaze at my new masterpiece, then save the file and creep into bed. The red 3:00 of the clock glares at me, an evil eye. Phoebe sleeps with her back to me, swaddled in blankets, an almost indiscernible hump. Except for her soft purring, it is eerily quiet, the time of morning when all the world’s noises cease. I ease myself under the sheet, tug on the bunched-up blankets and cradle her from behind. When I cup her breasts with my left hand, she makes little sounds. I nuzzle the back of her neck. She turns to me, drowsy, spearmint on her breath.
“It’s late,” she murmurs.
My hand trails to her waist and under the gown, between her legs. Her thighs part, warm and soft, and I lose myself between them as she moves under me, half-asleep.
I come quickly. I roll onto my back, breathing hard. Phoebe curls onto her side and returns to nirvanic slumber. I stare at the ceiling, body throbbing, and watch the fringes of the walls begin to glow grey. Still wired. Still hard. I want to make love again. But Phoebe dreams, motionless. She’ll be pissed if I wake her again.
I shimmy off the blanket. Too hot. Strings of words dance before my open eyes, phrases of poems written or yet to be, strobing in stark black and white, the light fluttering with my pulse and melting from one image into the next, an infinite slide show.
***
Wonderful birthday -- thank you for reading and dropping notes on fb, gmail, everywhere. I am so blessed. Peace, Linda
Peace, Linda
and suddenly the bed shrank
along with your cleats,
your jeans,the Hard
Rock café tee
bought in Boston;
everything smaller
but the reach of your arm,
the length of your stride,
the burgeoning pile of
diaper bags, board books,
Pokemon cards, and other
childhood detritus, never
again retrievable.
***
The High Before the Crash
The pathos-ridden notes of Mahler flow through earphones, reverberating at the cellular level. Words zip from my brain to my fingertips and onto the computer screen. Already, two poems knocked off. I crank in my journal in the darkened living room, recounting the past few glorious days at the beach with Phoebe. All we did was eat, sleep, make love; my skin still titillates.
Seeking inspiration, I pull up my sex_p folder, my catalogued memories of all my romances. The last dozen poems recall when I lost my virginity to Gloria. So many years ago. I close my eyes, remember the tall Tuscan grass, the sky anointing us, and for the first time I don’t feel sad remembering. Gloria’s face morphs into Phoebe’s, black hair melting in the sun turning to gold, and new words rush out… Amidst silvered sheaves we lie, hidden from all but God’s eyes and bees… My groin starts to ache.
A ding. Email. Who else is up at this infernal hour? Ah… Kevin, former Andover buddy, an ass - but one with disposable income interested in buying my car.
Ran that little black Maserati of yours down Route 1 and popped 70 in six. Superb. Can’t believe you want to sell her. Thanks - check’s in the mail. K
BTW, man, your sister’s HOT – when did she grow up?
My fingers hammer back.
Excellent! Enjoy – take good care of my baby. B
And keep your diseased dick away from Izzy – you can’t afford for me to chop off the last two inches.
Yes! I swivel in the chair, pumping my arms in victory. Kev’s always coveted my 420S, ever since a bunch of us dragged her down 128 one crazy August night, hammered out of our gourds after winning lacrosse regionals. We’d crashed some RISD party, I still don’t remember how we ended up in Providence. Kev might as well enjoy the car, she’s languished lonely and neglected in that hole of a garage back home. Yes! Last Fall semester’s paid off, only Spring and Summer tuition left to figure out, then financial aid kicks in. Finally.
I return to the computer, too excited to process words. Der Abschied concludes. Enough lieder already, too heavy. I shuffle over to La Sonnambula, the elegiac notes waft through my ears. My head turns meditative, the page fills… Time slows, time stops, clouds drape the azure canvas. I’m deep into the poem when I sense someone watching me.
“Sweetie.” Phoebe stands in the bedroom door, the nightstand lamp illuminating her from behind. In her long, white cotton gown, right fist rubbing her eyes, she reminds me of a little girl at the foot of her parents’ bed after a bad dream. “It’s almost two. When are you coming to bed?”
I pull out my ear buds. “Soon, baby, soon.”
She patters over in bare feet. I swivel in my chair, blocking the screen.
“What are you writing?”
“Nothing,” I say. “Just poems. Journaling.”
“What about?” She balances on her toes, trying to peek over my shoulder.
“Uh, the past week. Our trip to the Cape. Sex. Love. God. Death.” I bounce in my chair, impatient, wishing she’d go back to bed. “My usual existential stuff.”
“Are you okay?” She peers down at me, her eyes sleepy and suspicious.
“Okay?” I jerk back against my seat. “Of course I’m okay. I’m great.”
“Why aren’t you sleeping?”
“Ideas in my head need to get out.” I fidget, pass the MP3 from my right hand to my left, then tuck it in my lap, between my thighs. “Phebes, baby, go back to bed.”
“Only if you do.” She rests her hands on her hips.
“Promise,” I say. “Just five more minutes.”
She sighs, then slowly shuffles to bed. The lamp clicks off. Back to the poem. The words look unfamiliar, aseptic, and for a second I panic – the flow’s abandoned me – but I reinsert the earphones, the music fills me again… Ah, yes… the wind sighs low…
The opera ends. Pleased, I gaze at my new masterpiece, then save the file and creep into bed. The red 3:00 of the clock glares at me, an evil eye. Phoebe sleeps with her back to me, swaddled in blankets, an almost indiscernible hump. Except for her soft purring, it is eerily quiet, the time of morning when all the world’s noises cease. I ease myself under the sheet, tug on the bunched-up blankets and cradle her from behind. When I cup her breasts with my left hand, she makes little sounds. I nuzzle the back of her neck. She turns to me, drowsy, spearmint on her breath.
“It’s late,” she murmurs.
My hand trails to her waist and under the gown, between her legs. Her thighs part, warm and soft, and I lose myself between them as she moves under me, half-asleep.
I come quickly. I roll onto my back, breathing hard. Phoebe curls onto her side and returns to nirvanic slumber. I stare at the ceiling, body throbbing, and watch the fringes of the walls begin to glow grey. Still wired. Still hard. I want to make love again. But Phoebe dreams, motionless. She’ll be pissed if I wake her again.
I shimmy off the blanket. Too hot. Strings of words dance before my open eyes, phrases of poems written or yet to be, strobing in stark black and white, the light fluttering with my pulse and melting from one image into the next, an infinite slide show.
***
Wonderful birthday -- thank you for reading and dropping notes on fb, gmail, everywhere. I am so blessed. Peace, Linda
Peace, Linda
Wednesday, April 28, 2010
End of a Line
The grandfather clock’sponderous ticking trails me past
the photograph-lined hall,
memorial to mother and father,
their mothers and fathers
and theirs before them,
and so on.
And so on, sepia-stained and
scalloped-edged tangibilities.
Zoom to present tense:
mom up to her elbows
in flour, picking gardenias from
her verdant bed, clad
in wedding white, holding
an infant, squalling pink-cheeked.
Me, ten years past her passing,
crying unseen tears, draped
in baby-blue satin,
carnation corsage tickling
my virginal neck, mortarboards
and sheepskins portending
my future more
than the hand held,
my once-love.
Through the wood-stove’s
crackle and hiss, daddy snores
under his gold-spun afghan,
reliable as time, and so on,
the hallway wall, austere eyes frozen,
snapshots of a history, all
funnel down to a single entity,
an end product.
A deliverable.
Yet here am I,
no more or less
than myself.
***
Prompt: end of the line
The inspiration for this poem came from the introspections of Phoebe, one of my characters in my novels.
Two more days of poetry.
Peace, Linda
Labels:
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Tuesday, April 27, 2010
Asparagus
Blunt, heated purple
cleaving frigid earth; like you,
mounting my winter.
***
Prompt: hope
Walking my garden after the last hard frost, seeing the earth crack in the asparagus bed, knowing the spears will poke up soon, harbingers Spring. Harbingers hope.
Of course, that's the only veggie we're eating now -- up to our eyeballs in roasted lusciousness.
Three more days, three more poems. Peace, Linda
cleaving frigid earth; like you,
mounting my winter.
***
Prompt: hope
Walking my garden after the last hard frost, seeing the earth crack in the asparagus bed, knowing the spears will poke up soon, harbingers Spring. Harbingers hope.
Of course, that's the only veggie we're eating now -- up to our eyeballs in roasted lusciousness.
Three more days, three more poems. Peace, Linda
Monday, April 26, 2010
Five Times, With Feeling
Your sweaty-socked feet dangle over the lazy-Boy,
the tv a constant blare of video and comics,
notebooks and popcorn bowl scattered about,
so much tween-age detritus.
Please, take out the garbage.
Bart Simpson mocks Homer, then whizzes off
on a cartoon bicycle. A low grunt erupts from
behind the armchair, your foot swings back and forth.
The garbage. Now, please.
You reach for the phone, half ring; your voice
sounds an octave lower even as you crank back
the armchair, prostate to afternoon sun seeping
through the neglected jade and philodendron.
Son. Take out the garbage. Now.
A disgruntled sigh, the phone clatters on the endtable
beside the glass sweating cola rings on veneer.
FINAL WARNING – TAKE OUT THE GARBAGE!
The volume ratchets up, closing credits reel by,
arms and legs disappear behind the safety of corduroy.
A microsecond of silence.
Please, son, would you take out the garbage?
Sure, mom.
***
Prompt: 5 times
Peace, Linda
the tv a constant blare of video and comics,
notebooks and popcorn bowl scattered about,
so much tween-age detritus.
Please, take out the garbage.
Bart Simpson mocks Homer, then whizzes off
on a cartoon bicycle. A low grunt erupts from
behind the armchair, your foot swings back and forth.
The garbage. Now, please.
You reach for the phone, half ring; your voice
sounds an octave lower even as you crank back
the armchair, prostate to afternoon sun seeping
through the neglected jade and philodendron.
Son. Take out the garbage. Now.
A disgruntled sigh, the phone clatters on the endtable
beside the glass sweating cola rings on veneer.
FINAL WARNING – TAKE OUT THE GARBAGE!
The volume ratchets up, closing credits reel by,
arms and legs disappear behind the safety of corduroy.
A microsecond of silence.
Please, son, would you take out the garbage?
Sure, mom.
***
Prompt: 5 times
Peace, Linda
Sunday, April 25, 2010
I dream in emails
I dream in emails,
sputters of forgotten
phone calls and worn out
phrases, letters wending
through miles and miles
of empty pages, and
from this morass of images,
ideas, histories, deadlines,
sometimes emerges a pearl,
fleeting, intangible,
hoping to be clutched
and readied for polish.
***
Prompt: music
I love the refrain in Perfect Symmetry (Keane); it makes me think of life as a series of short-cuts and sound bites. I think the rushed-ness of daily busy-ness cramps our creativity.
Here's hoping for some clean, clear, mental and emotional space, to make some room for beauty. Peace, Linda
sputters of forgotten
phone calls and worn out
phrases, letters wending
through miles and miles
of empty pages, and
from this morass of images,
ideas, histories, deadlines,
sometimes emerges a pearl,
fleeting, intangible,
hoping to be clutched
and readied for polish.
***
Prompt: music
I love the refrain in Perfect Symmetry (Keane); it makes me think of life as a series of short-cuts and sound bites. I think the rushed-ness of daily busy-ness cramps our creativity.
Here's hoping for some clean, clear, mental and emotional space, to make some room for beauty. Peace, Linda
Saturday, April 24, 2010
Sandwiched
I’ve walked these hospital halls
and reaped enough frequent flier miles
to travel the world at least once over,
bagged groceries for two households
three hundred miles apart,
worked with the good nurses
and doctors, and still made every
little league game, every gym meet,
every Sunday sermon, deliver every lecture,
even bake brownies for staff meeting,
yet why is it now, as dark descends,
every cell in me surrenders
except for those lodged beneath my skull?
***
Two different prompts for two different days rolled into one -- 'exhaustion' and 'evening'. It usually is when night falls that I feel the weight of all most acutely.
Peace, Linda
and reaped enough frequent flier miles
to travel the world at least once over,
bagged groceries for two households
three hundred miles apart,
worked with the good nurses
and doctors, and still made every
little league game, every gym meet,
every Sunday sermon, deliver every lecture,
even bake brownies for staff meeting,
yet why is it now, as dark descends,
every cell in me surrenders
except for those lodged beneath my skull?
***
Two different prompts for two different days rolled into one -- 'exhaustion' and 'evening'. It usually is when night falls that I feel the weight of all most acutely.
Peace, Linda
Labels:
#aprpad,
NaPoWriMo,
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sandwiched
Thursday, April 22, 2010
EARTH
Today's poetry prompt -- earth. Haiku is a form that celebrates nature, and what is more natural than earth herself? Cemeteries also celebrate earth, the plantings sprung beautiful from decay. I present my Friday Two-Fer -- enjoy!
EARTH
Algae-blue marble
spinning through time – mere dust mote
in the eye of god.
***
In the Cemetery On the Tenth Year of Her Death
The hum of Memorial Drive traffic filters down the side streets. We walk for a long time, but instead of feeling tired my legs seem to strengthen and feel energized.
Brattle Street branches into another, busier avenue. A sea of traffic idles at the stop light. Ben grabs my hand and we race across the street, giggling as the light changes and cars honk. We find ourselves facing the entrance to Mount Auburn cemetery. I stop laughing; I have no desire to go to a graveyard. Not today.
“Hey, it’s beautiful here,” he says. “Trust me.”
He guides me past the wrought iron gates buttressed by granite pediments. Several paved lanes converge off the semi-circular paved entrance. Ben chooses the middle path.
The outside world peels away. Dazzling pink and white crabapples and magnolias cover the hilly terrain. Headstones and monuments pucker the grounds, large marble affairs that swell with importance next to more humble limestone markers. Birds warble, and something sweet, maybe viburnum or lilac, scents the air. We walk the road in silence. Several cars pass us in slow procession, black and shiny. After they disappear around a corner, Ben takes my hand and skirts to the right down a pea gravel path. The air cools as we descend through a dark grove of rhododendrons, their waxy leaves highlighting fuchsia flowers. The floral smell thickens.
We emerge in a clearing. A marble bench faces a small hill dotted with dogwood. Ben walks to the largest grave. Golden lichen flecks the pearly white of the rounded headstone, pitted from a century in the elements. Etched doves, carrying leaves, flank the epitaph: Johanna Nilsson. Mother, Wife, Beloved Angel. 1856 – 1897.
My mother's name.
A reverent lilac stands behind the headstone. Beside her, in matching alabaster, rests the husband. Smaller grave markers scatter at their footstones, children and grandchildren and their progeny. But my gaze stays with her headstone.
Johanna.
I sink to the bench. Ben settles beside me.
“If there was a single present I could give you, it would be to peel back time so you could be with your mother,” he says. “Do you ever talk to her?”
Tears well in my eyes. I shake my head. He reaches for my hand.
“You should. You keep her memory alive in your mind,” he says. “Keep her in your heart - talk to her.”
But she’s dead, I want to say. I edge back; his eyes gleam with a strange intensity. I must look as skeptical as I feel because he squeezes my hand.
“Here, I’ll do it with you.” He closes his eyes.
I close mine, too. Something rustles in the underbrush, a squirrel or bird, then silences. The wind passes through the tree tops, a low howl, and limbs scrape against each other. Ben breathes in a slow quiet rhythm. I feel his body soften into the hard bench but mine stays rigid. Talk to her. I try to envision my mother, her face, her eyes, but only can see the mound of dirt that covered her, the blackness of it keeping the light from her, the muffled voice of the priest intoning May Johanna Miller forever rest in peace.
Peace. This is all I want. I squirm, frustrated, my legs crossing and uncrossing. I try to see my mother, remember her. Ben’s arm snakes around my back and he pulls me close so my head rests on his shoulder. I squeeze back tears and silver lines tangle the back of my eyelids, like her hair streaming in the breeze rushing through the car’s rolled-down windows and then I hear her laugh and she turns to me in the back seat and asks, “Is this too much air?” I giggle back at our shared glee and reach toward her and she takes my hand and we laugh and laugh as daddy drives us down the mountain, the cool air pummeling us with joy. There is something I want to tell her, but the car slows, her hair collapses around the back of her head and she turns to my father.
The silver streaks fade. A mockingbird chortles over my head. A small sob loosens in my chest but I swallow it down.
“Hey,” he whispers. “Did you talk to her?”
I shake my head, my face rubbing against his sweater. The wool smells good, like him. “Almost, though.” I look up and try to smile. “We laughed.”
“Laughing’s even better.” He traces my eyebrows with his finger. “You know I can’t bring your mother back, but I can always be here to help you remember her.”
We rise and stand by the grave for a few silent moments. I don’t want to leave and tell him this, and he assures me he’ll come back here with me whenever I want. I wonder about this Johanna, wonder if maybe there is a heaven after all, and that maybe all the Johanna’s of the world watch over their children still left on earth. I want to believe this, just as, for the first time, I want to believe Ben could be my home.
(Excerpted from BRIGHTER THAN BRIGHT, a love story)
Peace, Linda
EARTH
Algae-blue marble
spinning through time – mere dust mote
in the eye of god.
***
In the Cemetery On the Tenth Year of Her Death
The hum of Memorial Drive traffic filters down the side streets. We walk for a long time, but instead of feeling tired my legs seem to strengthen and feel energized.
Brattle Street branches into another, busier avenue. A sea of traffic idles at the stop light. Ben grabs my hand and we race across the street, giggling as the light changes and cars honk. We find ourselves facing the entrance to Mount Auburn cemetery. I stop laughing; I have no desire to go to a graveyard. Not today.
“Hey, it’s beautiful here,” he says. “Trust me.”
He guides me past the wrought iron gates buttressed by granite pediments. Several paved lanes converge off the semi-circular paved entrance. Ben chooses the middle path.
The outside world peels away. Dazzling pink and white crabapples and magnolias cover the hilly terrain. Headstones and monuments pucker the grounds, large marble affairs that swell with importance next to more humble limestone markers. Birds warble, and something sweet, maybe viburnum or lilac, scents the air. We walk the road in silence. Several cars pass us in slow procession, black and shiny. After they disappear around a corner, Ben takes my hand and skirts to the right down a pea gravel path. The air cools as we descend through a dark grove of rhododendrons, their waxy leaves highlighting fuchsia flowers. The floral smell thickens.
We emerge in a clearing. A marble bench faces a small hill dotted with dogwood. Ben walks to the largest grave. Golden lichen flecks the pearly white of the rounded headstone, pitted from a century in the elements. Etched doves, carrying leaves, flank the epitaph: Johanna Nilsson. Mother, Wife, Beloved Angel. 1856 – 1897.
My mother's name.
A reverent lilac stands behind the headstone. Beside her, in matching alabaster, rests the husband. Smaller grave markers scatter at their footstones, children and grandchildren and their progeny. But my gaze stays with her headstone.
Johanna.
I sink to the bench. Ben settles beside me.
“If there was a single present I could give you, it would be to peel back time so you could be with your mother,” he says. “Do you ever talk to her?”
Tears well in my eyes. I shake my head. He reaches for my hand.
“You should. You keep her memory alive in your mind,” he says. “Keep her in your heart - talk to her.”
But she’s dead, I want to say. I edge back; his eyes gleam with a strange intensity. I must look as skeptical as I feel because he squeezes my hand.
“Here, I’ll do it with you.” He closes his eyes.
I close mine, too. Something rustles in the underbrush, a squirrel or bird, then silences. The wind passes through the tree tops, a low howl, and limbs scrape against each other. Ben breathes in a slow quiet rhythm. I feel his body soften into the hard bench but mine stays rigid. Talk to her. I try to envision my mother, her face, her eyes, but only can see the mound of dirt that covered her, the blackness of it keeping the light from her, the muffled voice of the priest intoning May Johanna Miller forever rest in peace.
Peace. This is all I want. I squirm, frustrated, my legs crossing and uncrossing. I try to see my mother, remember her. Ben’s arm snakes around my back and he pulls me close so my head rests on his shoulder. I squeeze back tears and silver lines tangle the back of my eyelids, like her hair streaming in the breeze rushing through the car’s rolled-down windows and then I hear her laugh and she turns to me in the back seat and asks, “Is this too much air?” I giggle back at our shared glee and reach toward her and she takes my hand and we laugh and laugh as daddy drives us down the mountain, the cool air pummeling us with joy. There is something I want to tell her, but the car slows, her hair collapses around the back of her head and she turns to my father.
The silver streaks fade. A mockingbird chortles over my head. A small sob loosens in my chest but I swallow it down.
“Hey,” he whispers. “Did you talk to her?”
I shake my head, my face rubbing against his sweater. The wool smells good, like him. “Almost, though.” I look up and try to smile. “We laughed.”
“Laughing’s even better.” He traces my eyebrows with his finger. “You know I can’t bring your mother back, but I can always be here to help you remember her.”
We rise and stand by the grave for a few silent moments. I don’t want to leave and tell him this, and he assures me he’ll come back here with me whenever I want. I wonder about this Johanna, wonder if maybe there is a heaven after all, and that maybe all the Johanna’s of the world watch over their children still left on earth. I want to believe this, just as, for the first time, I want to believe Ben could be my home.
(Excerpted from BRIGHTER THAN BRIGHT, a love story)
Peace, Linda
Wednesday, April 21, 2010
according to the doctor
you should not be here after all the good physician
a medical prodigy of sorts
what with his Hah-vuhd degrees
and sub subspecialty certificates
in fields I cannot spell
much less pronounce
is expert
no?
after all who am I
to doubt his veracity
his years of experience
cleaving ova studying the tea
leaves of temperature charts
concocting cocktails of chemicals
to inject into tender skin
who am i?
but a dried up old fruit
of a woman too young to die
or retire too old to eke out
an embryo viable past sixteen
cells a pinhead a lima bean an ounce.
but here you are my quarter
million dollar miracle
smiling at me & thumbing your nose
at god and all
***
Prompt: According ______
Peace, Linda
Saturday, April 17, 2010
Science of Art
A poem is mathematics:
the meter, the measure.
But to read a poem
you must find
the words between
syllables,
let metric
shape meaning.
Prompt: science.
And how opportune for my laptop to flash me the blue screen of death. Perfect timing.
Other than a writing class assignment, I believe everything's backed up. Pray for me.
Peace, Linda
the meter, the measure.
But to read a poem
you must find
the words between
syllables,
let metric
shape meaning.
Prompt: science.
And how opportune for my laptop to flash me the blue screen of death. Perfect timing.
Other than a writing class assignment, I believe everything's backed up. Pray for me.
Peace, Linda
Labels:
#aprpad,
poetry,
science of art
Friday, April 16, 2010
On Little Feet
Death doesn't come
in an instant; rather,
it creeps in, a series
of smaller moments.
Some believe we
start to die when
we crown, before we've
inhaled more than
meconium, but I think
we start to rot when
we no longer want.
Prompt: death
I've already written several poems on death. Enough already. Let's hope tomorrow's prompt is about daffodils or some such bit of sunshine.
Peace, Linda
in an instant; rather,
it creeps in, a series
of smaller moments.
Some believe we
start to die when
we crown, before we've
inhaled more than
meconium, but I think
we start to rot when
we no longer want.
Prompt: death
I've already written several poems on death. Enough already. Let's hope tomorrow's prompt is about daffodils or some such bit of sunshine.
Peace, Linda
Labels:
#aprpad,
#napowrimo,
death,
National Poetry Month
Thursday, April 15, 2010
Deadlines
The poetry prompt for today - deadline. Which spawned both a poem and the memory of a scene from BRIGHTER THAN BRIGHT on the aftermath of the most dreadful of deadlines - final exams -- and all the crap that goes along with that particular insanity.
BREATHE
If I look up
from the page or
walk to the kitchen
for another half-cup
of cold coffee
or stop to stare
at the wren weaving
her nest under the eaves
I might just miss
the deadline yet
get a chance
to breathe.
###
HAPPINESS LET DOWN
My body floats outside of itself, a step ahead of the rest of me. I hurry to keep up, running the stairs three at a time; the adrenalin rush of finishing papers and racing to meet deadlines makes me impervious to slowing down. On the landing, I stop short – I forgot to set up for Biology 110 lab this morning.
Damn. Not prepared for Tien’s lambasting, I ponder whether to go in, but I only have eleven minutes to hand in my paper to Doctor L. I wedge open the door. Empty. The smooth, black benches gleam in the afternoon light. I quickly pass through the room. Muffled laughter, then applause from the seminar room echoes down the hall. Someone’s dissertation defense.
Doctor L’s office is across from the small library cum lunch room. I peer out the library window, watch other students pass the fountain, heading to a residence hall or cafeteria or bar. They have somewhere to go. Someone to see.
Too many memories dance around that fountain, so I turn away, settle at the round table to peruse the latest Neuroscience, but can’t focus; I’m too wired. I pull out my outline, feet tapping music on the floor. Not bad - fifteen detailed pages of background, rationale, and hypotheses, research protocol, and expected conclusions.
The door opens. Dr. L beckons me into his office and settles behind his desk. I hand him my paper and sit in the chair across from him. He reaches for his glasses. Leaning forward, hands thrumming on the seat, I wait for his reaction.
“Quite good, Ben,” he says after several silent minutes. “Innovative.”
I lean back, a smile tugging at my mouth.
“Keep up the good work and you’ll do well in this field.” He looks at the paper and back to me. “This was a tough semester. How did you do?”
“Okay, I think. Didn’t sleep for two weeks, but what the heck. Study design was rough,” I say. “All those stats.”
“But what you’ve learned shows,” he says, shaking my paper. The phone rings. He reaches for the receiver. “Go home, get some rest, then get back in lab on Monday.”
Happy, high, I bound down the hall, the stairs, out the building, and through the bustling, twilit Square. None of my writing buddies are holding court at Au Bon Pain or Café Pamplona, so I hang out in the Pit to listen to the Peruvian band. There’s quite a crowd, clapping and dancing, chucking bills into the open guitar case, but no one I know, so I punch in Sam’s number, contemplate going there for dinner, but hang up in the middle of the first ring, sure he’s sick of me; I’ve crashed there three times the past week. There, or in the lab, escaping my apartment of ghosts. My cold bed.
The band takes a break. Bystanders trail away. I wend my way down now-darkened Harvard Street, to my messy home, my empty fridge. I finally feel relaxed enough to eat, so I decide to splurge at the neighborhood whole foods store: organic strawberries, steamed wild-caught shrimp, asiago cheese, mesclun greens. It sets me back thirty bucks and I don’t give a damn, just pull out my new credit card. But as I cart the makings of my feast home, the bag grows heavier, my pace slows; by the time I open the door, I barely have energy to shove the bag in the fridge. I kick off shoes, put on some Schubert, and collapse on the futon for a quick nap.
When I wake, the room is dark as pitch and oddly quiet. Sleeping bent up on the futon cricked my neck, so I massage it and stumble into the shadowy kitchen. My watch blinks 2:23.
I pour the dregs from a carton of orange juice into a cup sticky from last night’s coffee. Leaning against the counter, I pull cold shrimp from the bag, cramming them into my mouth one after the other without tasting. After a pound, I’m still ravenous, so I rummage in the cupboard for something more substantial. My hand bangs up against the mug where I hid my meds. I pull it down, motivated to be a more compliant patient, to be normal; the noise and weird dreams barraging my brain these past days are really starting to annoy me, they’re so relentless.
The bottle is empty.
I make a mental note to get a refill tomorrow, then settle at the table with crackers and peanut butter. A rogue cricket chirrups its melancholy ballad. Despondency licks at the edges of my heart, but now fueled, my head cycles again, remembering her sleepy morning smile, the way water streams in a slow ‘s’ down her back in the shower, how her brow furrows when she studies. How we reconnect at night, in bed, waking in tangles.
The saltines are stale, but I inhale them anyway, stuffing myself until I feel fuller. Too full. My stomach lurches and I stagger to the bathroom, half-laughing as I vomit, I’m so crazy, I’m a frigging bulimic, but what gushes up freaks me out, it’s flesh, little chunks of my heart all pink in the stream of brown, and I sink to my knees and, for the first time since she left, I cry, these huge, heaving sobs that rend holes in my chest.
Oh God. Oh Jesus. What have I done? What have we done?
BREATHE
If I look up
from the page or
walk to the kitchen
for another half-cup
of cold coffee
or stop to stare
at the wren weaving
her nest under the eaves
I might just miss
the deadline yet
get a chance
to breathe.
###
HAPPINESS LET DOWN
My body floats outside of itself, a step ahead of the rest of me. I hurry to keep up, running the stairs three at a time; the adrenalin rush of finishing papers and racing to meet deadlines makes me impervious to slowing down. On the landing, I stop short – I forgot to set up for Biology 110 lab this morning.
Damn. Not prepared for Tien’s lambasting, I ponder whether to go in, but I only have eleven minutes to hand in my paper to Doctor L. I wedge open the door. Empty. The smooth, black benches gleam in the afternoon light. I quickly pass through the room. Muffled laughter, then applause from the seminar room echoes down the hall. Someone’s dissertation defense.
Doctor L’s office is across from the small library cum lunch room. I peer out the library window, watch other students pass the fountain, heading to a residence hall or cafeteria or bar. They have somewhere to go. Someone to see.
Too many memories dance around that fountain, so I turn away, settle at the round table to peruse the latest Neuroscience, but can’t focus; I’m too wired. I pull out my outline, feet tapping music on the floor. Not bad - fifteen detailed pages of background, rationale, and hypotheses, research protocol, and expected conclusions.
The door opens. Dr. L beckons me into his office and settles behind his desk. I hand him my paper and sit in the chair across from him. He reaches for his glasses. Leaning forward, hands thrumming on the seat, I wait for his reaction.
“Quite good, Ben,” he says after several silent minutes. “Innovative.”
I lean back, a smile tugging at my mouth.
“Keep up the good work and you’ll do well in this field.” He looks at the paper and back to me. “This was a tough semester. How did you do?”
“Okay, I think. Didn’t sleep for two weeks, but what the heck. Study design was rough,” I say. “All those stats.”
“But what you’ve learned shows,” he says, shaking my paper. The phone rings. He reaches for the receiver. “Go home, get some rest, then get back in lab on Monday.”
Happy, high, I bound down the hall, the stairs, out the building, and through the bustling, twilit Square. None of my writing buddies are holding court at Au Bon Pain or Café Pamplona, so I hang out in the Pit to listen to the Peruvian band. There’s quite a crowd, clapping and dancing, chucking bills into the open guitar case, but no one I know, so I punch in Sam’s number, contemplate going there for dinner, but hang up in the middle of the first ring, sure he’s sick of me; I’ve crashed there three times the past week. There, or in the lab, escaping my apartment of ghosts. My cold bed.
The band takes a break. Bystanders trail away. I wend my way down now-darkened Harvard Street, to my messy home, my empty fridge. I finally feel relaxed enough to eat, so I decide to splurge at the neighborhood whole foods store: organic strawberries, steamed wild-caught shrimp, asiago cheese, mesclun greens. It sets me back thirty bucks and I don’t give a damn, just pull out my new credit card. But as I cart the makings of my feast home, the bag grows heavier, my pace slows; by the time I open the door, I barely have energy to shove the bag in the fridge. I kick off shoes, put on some Schubert, and collapse on the futon for a quick nap.
When I wake, the room is dark as pitch and oddly quiet. Sleeping bent up on the futon cricked my neck, so I massage it and stumble into the shadowy kitchen. My watch blinks 2:23.
I pour the dregs from a carton of orange juice into a cup sticky from last night’s coffee. Leaning against the counter, I pull cold shrimp from the bag, cramming them into my mouth one after the other without tasting. After a pound, I’m still ravenous, so I rummage in the cupboard for something more substantial. My hand bangs up against the mug where I hid my meds. I pull it down, motivated to be a more compliant patient, to be normal; the noise and weird dreams barraging my brain these past days are really starting to annoy me, they’re so relentless.
The bottle is empty.
I make a mental note to get a refill tomorrow, then settle at the table with crackers and peanut butter. A rogue cricket chirrups its melancholy ballad. Despondency licks at the edges of my heart, but now fueled, my head cycles again, remembering her sleepy morning smile, the way water streams in a slow ‘s’ down her back in the shower, how her brow furrows when she studies. How we reconnect at night, in bed, waking in tangles.
The saltines are stale, but I inhale them anyway, stuffing myself until I feel fuller. Too full. My stomach lurches and I stagger to the bathroom, half-laughing as I vomit, I’m so crazy, I’m a frigging bulimic, but what gushes up freaks me out, it’s flesh, little chunks of my heart all pink in the stream of brown, and I sink to my knees and, for the first time since she left, I cry, these huge, heaving sobs that rend holes in my chest.
Oh God. Oh Jesus. What have I done? What have we done?
Wednesday, April 14, 2010
Archipelago

My life with you
a sprinkling of moments:
pristine islands offering safe
inlets to anchor.
But now, floating
on this vast mattress
without you, I am bereft;
a soul unmoored.
***
Prompt: island
And on another unrelated note --> This is just SO wrong.
Boycott Hello Kitty. Please. Makes my blood boil.
Peace, Linda
Tuesday, April 13, 2010
Cuore
Transfixed, I watchyour hands - strong, quiet, efficient -
transform this humble offering
from the soil into something pure,
lyrical, a shape so perfect
it seems a miracle.
Later, when the yielding clay
ossifies to a leathered urn,
I cradle this treasure with care
between two palms and peer inside,
looking for… what? I do not know.
My eyes meet black eternity,
empty hollow smelling of earth
primordial, essence of you.
Your heart, a vessel.
***
Prompt: love
Cuore is Italian for heart. And what is a heart but a vessel? Back in my clay days, I once spent two years focusing my craft on the metaphorical aspects of the heart.
Peace, Linda
Monday, April 12, 2010
Baltimore
The morning after the polls
closed, it drizzled, a cold pervasive
grey over the city of dessicated
chicken bones and smack junkies.
But even the ancient black man
who owned the corner, his perpetual
yard sale of boosted goods, boomed
Hallaluahs and parsed out peace
signs to passing cars for free.
My president, too; but I could
not lay the same claim.
***
Prompt - City
The day after the 2008 elections, Baltimore beamed. This is a hard-scrabble place, at least where I work, and for the people of a predominantly black inner city, the joy of finding a black man in the presidential office was palpable.
Peace, Linda
closed, it drizzled, a cold pervasive
grey over the city of dessicated
chicken bones and smack junkies.
But even the ancient black man
who owned the corner, his perpetual
yard sale of boosted goods, boomed
Hallaluahs and parsed out peace
signs to passing cars for free.
My president, too; but I could
not lay the same claim.
***
Prompt - City
The day after the 2008 elections, Baltimore beamed. This is a hard-scrabble place, at least where I work, and for the people of a predominantly black inner city, the joy of finding a black man in the presidential office was palpable.
Peace, Linda
Sunday, April 11, 2010
Last Trip

If I had known
the trip to the hospital
was the last time
you would ever be outside
I would not have rushed
you through the rain.
Prompt: Last _____
There are many firsts, and many lasts. The lasts are the most poignant of moments, because they creep upon you with the least expectation and, often, the lasts come after a long period of wishing they would end. I think of the times woken by my hungry infant and wishing this breast feeding to be over, the diapers changed, the long drive finished, the dissertation done, then, it is done. It is over. And once it is over, yu wish to be back with it.
The slow death of my father felt like a climb through a cairn-marked mountain trail. But on this journey, the stone markers were lasts: the last time to mow the lawn, drive to the store, eat solid food, sleep through the night, drink coffee, drink Scotch, sleep beside my mother, read a book, speak, stand in your garden, feel the rain.
I drove my father the hour to Chapel Hill for his cancer treatment many, many times. It seemed it would never end. And then, it did, and I would give anything to drive him there again.
Remember the lasts; treat every moment as if it were.
Peace, Linda
Labels:
#aprpad,
Last Trip,
NaPoWriMo,
National Poetry Month
Saturday, April 10, 2010
Summer

Orange smudges
your distant horizon
the end of your world:
waves collide with sky,
churn orange into
some kind of molten lava
or a Creamsicle savored
later when the sand
burns our undersoles.
Today's prompt: horror
I tried. Really, I did. My horror-writing friends know I've wanted to stretch in this direction. But... I couldn't get it up, despite blasting Bodysnatchers (Radiohead, In Rainbows) at full volume all afternoon between errands. I tried to get myself into a dark place, a gory place, but... the sun was shining too brightly, the vast amount of coffee drunk all morning, the late breakfast of feta omelette and more coffee, the fabulous yard sales (including this gorgeous Native American terracotta and black slip vase by Armanda Rodriguez for two bucks but might be worth --> THIS and books, of course, including oodles of YA stuff), and the long walk, the roasted asparagus and hamburgers on the grill, and the glass (or two) of homemade traminer-reisling, I mean... I just thought of summer all day. Horror-ible. I know. Whatever.
At least I'm happy.
Peace, Linda
Labels:
#aprpad,
#napowrimo,
summer,
yardsaling
Friday, April 09, 2010
Memoir
Labels:
#aprpad,
memoirists,
NaPoWriMo,
poetry
Thursday, April 08, 2010
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